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If someone asked you to describe your hometown, what kind of details would you include? What sets your city apart from everywhere else in the world? In Italo Calvino's (1923-1985) novel Invisible Cities (1972), the characters Marco Polo and Kublai Khan discuss the attributes of 55 individual cities. Structured as a conversation between the two historical figures, Invisible Cities uses the descriptions of these fantastical cities to analyze themes like the cyclical nature of humanity and the limitations of communication and power.
Invisible Cities was originally published in Italy in 1972; it was translated into English two years later. The bulk of the novel is structured as a conversation between Mongolian Emperor Kublai Khan and explorer Marco Polo. The story does not follow a strict plot line, instead revolving around the description of 55 different cities in Khan's empire.
Polo describes each of the 55 fictitious cities in the form of a brief prose poem. About every five to ten cities, Polo and Khan engage in a dialogue about the cities and their commonlaities. The chapters and themes are arranged in a highly structured, mathematical pattern, which reveals the influence of the OuLiPo movement on Calvino's work.
The OuLiPo movement began in France, under the leadership of poet Raymond Queneau and mathematician François Le Lionnais. It became a group of mathematicians and writers, who rejected spontaneity and instead favored self-restricting patterns to create stories. Calvino joined this group in 1968. OuLiPo stands for Ouvroir de Littérature Potentielle (Workshop for Potential Literature).
Over the course of nine chapters, the cities form a specific structure. As Polo narrates his travels for Khan, the cities are divided into eleven thematic categories, each containing five cities named after women. The thematic groups and their cities are as follows:
Cities & Memory
Diomira
Isidora
Zaira
Zora
Maurilia
Cities & Desire
Dorothea
Anastasia
Despina
Fedora
Zobeide
Cities & Signs
Tamara
Zirma
Zoe
Hypatia
Olivia
Thin Cities
Isaura
Zenobia
Armilla
Sophronia
Octavia
Trading Cities
Euphemia
Chloe
Eutropia
Ersilia
Esmeralda
Cities & Eyes
Valdrada
Zemrude
Baucis
Phyllis
Moriana
Cities & Names
Aglaura
Leandra
Pyrrha
Clarice
Irene
Cities & the Dead
Melania
Adelma
Eusapia
Argia
Laudomia
Cities & the Sky
Eudoxia
Beersheba
Thekla
Perinthia
Andria
Continuous Cities
Leonia
Trude
Procopia
Cecilia
Penthesilea
Hidden Cities
Olinda
Raissa
Marozia
Theodora
Berenice
Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places." (Chapter 2)
This quote is part of a conversation that probably takes place in Kublai Khan's head—it is unclear if it is his head, Polo's head, or neither—instead of aloud. Khan imagines Polo saying this to explain how a traveler's identity is tied to the places they have visited. Instead of staying the same, Polo (or Khan) explains, a place completely changes a person's view of the world and going to new places means a traveler's identity and sense of the world is constantly changing.
“Every time I describe a city I am saying something about Venice.” (Chapter 6)
Polo says this quote after Khan gets frustrated at him for never talking about Venice, Polo's hometown." Polo responds by saying that he needs to keep an "implicit" city to be able to describe the individual qualities of all the others he has been to. To Polo, Venice is his home place, and that connects it deeply to his identity, unlike the other cities.
Invisible Cities was written by Italian author Italo Calvino.
Invisible Cities is about a conversation between Mongol Emperor Kublai Khan and explorer Marco Polo, as they discuss different cities in Khan's vast empire.
All 55 of the cities in Kublai Khan's empire are fictitious, but the two men briefly talk about Marco Polo's real hometown, Venice.
Invisible Cities is a reflection on place and identity.
Calvino's style is lyrical and postmodern, but he was also largely influenced by the OuLiPo movement, adding an element of structure to his work as shown in the highly-organized 55 cities.
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