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Michel Foucault was a highly influential twentieth-century French literary theorist. He has been, at times, called a Marxist and a Socialist but generally refused to be labelled. One of Foucault's key theories was that human existence and history are inextricably linked. Historical changes have a profound impact on humanity. Another central theory of Foucault's is that there is a direct connection between knowledge and power that must be acknowledged. The exercising of knowledge gives power, and wielding power involves some depth of knowledge. Discipline and Punish (1975) and The History of Sexuality (1976) are two of Foucault's most important theoretical texts.
✔ Nuance is key, and history is ever-changing: New Historicism prioritises nuance above all else, and all aspects of historical context should be considered. The theory also acknowledges the ever-changing nature of history.
Below are some central figures in the field of New Historicism.
Since its conceptualisation in the 1980s by Stephen Greenblatt, New Historicism has become one of the most influential modern literary theories. The vast majority of English Literature departments in universities today use New Historicism frequently in their studies. It is one of the most commonly used literary theories. New Historicism encouraged an interdisciplinary approach to literary studies, bringing in the fields of history, sociology, and cultural studies, in a way that had not been widespread before. New Historicism challenges many of the concepts presented by older literary theories in its anti-elitism.
Let's consider an example of how to analyse a text using New Historicism.
Content warning: the below section contains mentions of anti-Semitic prejudices.
Oliver Twist (1838) by Charles Dickens (1812-1870) is a story about the difficult life of an orphan in Victorian Britain. Dickens showcases the cruel and impoverished world of London at this time. The social critique that Dickens engages in can easily be analysed through a New Historicist lens. Dickens is pointing out what he sees as the inadequacies of his society and how these impact marginalised children.
There is another angle that New Historicists may view Oliver Twist from. The character of Fagin, a criminal and mentor to many orphaned children, has been judged by modern critics to be anti-Semitic. Dickens uses multiple anti-Semitic stereotypes when describing Fagin. He is depicted as greedy, and money-hungry, and there are detailed descriptions given of his large nose. A New Historicist analysis of Oliver Twist would read these stereotypes in the context of their time. While unacceptable today, these anti-Semitic prejudices would have been normal and accepted in Dickens's society. Additionally, a New Historicist would be aware that a modern critic's discomfort with these stereotypes is directly influenced by their modern society and time period.
Anti-Semitism is the term used for prejudice and discrimination against Jewish people.
Historicism is a literary theory that involves viewing a text within its historical context.
You can apply New Historicism to a text by considering its social, cultural, economic, and political contexts with nuance.
New Historicism is a literary theory founded by Stephen Greenblatt that encourages acknowledging the importance an author's given time period has on the text they produce. This same importance goes for the time period of the critic analysing the text.
Stephen Greenblatt started New Historicism.
New Historicism can be used for any text, but one example of a relevant text is Oliver Twist (1838) by Charles Dickens.
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